When Canadian director Sturla Gunnarsson and his cast and crew, including Gerard Butler (300, Phantom of the Opera, How To Train Your Dragon) set upon Iceland to film Beowulf & Grendel, they expected the usual complications involved in making a movie, but what they encountered made them wonder if the Norse gods were actually working against them. Award-winning documentary Wrath of Gods by Jon Gustafsson tells this amazing story of the extremes that independent filmmakers go to in order to make their movies.
“Is there some kind of competition to see which filmmaker can have the worst time making a movie? Think Terry Gilliam in Lost In La Mancha, Mark Borchardt from American Movie and the Sydney boys struggling to finish their film in Making Venus. If documentary Wrath Of Gods is anything to go by, the competition has been won by Canadian-Icelandic director Sturla Gunnarsson. Gunnarsson, his crew and cast – including 300 star Gerard Butler – were cursed by trolls, blown off the side of a mountain and endured hellish storms making epic Beowulf & Grendel. It’s grim for them but fun for us. Wrath Of Gods is a gripping documentary about the madness of movie making.”Perth Revelation Film Festival
Wrath of Gods will blow you away in more ways than one. It takes you on this behind the scenes adventure ride that just keeps going and going. Just when you thought nothing else could happen (the film eloquently shows all the perils of making the film)it DOES! “Ever heard of Murphy’s Law!” LOL!Brenda R
Wrath of Gods is a fantastic documentary! I enjoyed every minute of this unbelievable story of the perils of movie making. This film is loaded with depth and substance and evokes so much emotion that you’re moved to tears one moment and laughing out loud the next. Wrath of Gods is a must see piece of entertainment bliss!!!!!!Ruby Wooten
Produced in association with CBC NEWSWORLD
supported by THE ICELANDIC FILM CENTRE
produced by GREAT CANADIAN FILM FACTORY and ARTIO FILMS
produced by JON GUSTAFSSON, KAROLINA LEWICKA
written and directed by JON GUSTAFSSON
co-produced by JON ARMANN STEINSSON and GERARD BUTLER
music by HILMAR ÖRN HILMARSSON
At the beginning of July 2004, Canadian filmmakers Sturla Gunnarsson, Paul Stephens, Andrew Rai Berzins and Eric Jordan went to Iceland to make a movie, a co-production between Canada, the U.K. and Iceland. The cast included Gerard Butler (300, The Ugly Truth, Law Abiding Citizen, How To Train Your Dragon), Stellan Skarsgard (Pirates of the Caribbean, Good Will Hunting), Rory McCann (Game of Thrones), Ronan Vibert, Sarah Polley, Eddie Marsan, Tony Curran and Ingvar Sigurdsson. It was the beginning of the most difficult project any of them had ever been a part of. A series of events continued to put the project in jeopardy. Halfway through production, the financing had not closed, the film was seriously over budget, and the bonder was alarmed enough to send a representative to Iceland. The entire production was put under intense scrutiny while the cast and crew were fighting the onset of a ruthless Icelandic winter and diminishing daylight.
The storms tore roofs of buildings and swept away equipment, and Gunnarsson slowly seemed to take on the characteristics and physical appearance of a troll as he struggled to fight gigantic obstacles. The strong determination of the filmmakers (Sarah Polley called it a “sheer demented ambition”) was the one thing that seemed to be able to steer this troubled ship through the storms and guide it to harbour. Two days before the end of principal photography Producer Paul Stephens admitted that is was a “miracle” that they were about to complete the shoot without having closed the ‘bank’. To most other people on the crew it was a miracle that no one had died in a series of accidents and other unfortunate events that haunted the production.
Everyone became superstitious in Iceland. How could they not? They went through just about everything that you can imagine would happen on a film production. Two weeks before the start of principal photography, the financing had not closed and the production was unable to meet its payroll. The crew was called in and told that the production was on the brink of collapse. The crew was asked to take a week’s hiatus without pay while the producers tried to resolve the crisis. Close to two million dollars had been spent already, but at this point they were looking at shutting the production down. Sturla gave the “over my dead body” speech. The following week they managed to fix the cash flow situation temporarily, but once again the shoot had to be postponed by a couple of weeks. By now they were starting five weeks later than they had hoped. The unforgiving Icelandic winter was approaching fast.
After moving the whole company to the town of Hofn on the east coast of Iceland, the production was sent off with a Pagan blessing, performed by Hilmar Orn Hilmarsson, a composer and the high priest of the ancient Norse Asatru religion. There he called upon Odin, Thor and Baldur to protect the production. Right at the end of the ceremony Sturla fell and hit his head on the rocky beach. His Icelandic co-workers eagerly shared the old Icelandic superstition that falling at the start made for a prosperous journey. Two hours later the Pagan priest himself slipped on the rocks at the Hofn beach and broke three ribs. The story of Beowulf & Grendel includes the introduction of Christianity into a Pagan society and the inevitable struggle between the two religions. That Saturday night, some of the producers started wondering if the Pagan ritual had angered the wrong god. Gerard Butler and the rest of the cast and crew started joking about the “curse” but as time went on the jokes gained a more serious undertone.
Getting a Viking boat replica to use in the film had proven to be extremely difficult and expensive, but sailing a Viking boat through an iceberg passage was one of the scenes that had Gunnarsson refused to give up. Only one of those boats exists in Iceland and even if it had been sailed across the North Atlantic to celebrate the Millennium, it had been in a museum for a couple of years and was drying up. The owners wouldn’t do any work on the ship till they had a guaranteed payment from the film producers, so the ship wasn’t transported to the filming location till the eleventh hour. Once it made it to the Iceberg Lagoon and was lowered into the water, it leaked so badly that it would have sunk in minutes. It had to be taken out of the water again and repaired. The film crew got ready for their only chance of filming a Viking boat sailing in between the icebergs.
On Sunday night, a passenger van carrying members of the crew on their way to the filming location had a head-on collision with an SUV on the longest single lane bridge in Iceland. Both vehicles were totalled, but for some unbelievable luck no one was seriously injured. That same night the crew received word that the Viking boat would actually be able to float, or at least appear to float when they were to start filming six hours later. The captain had managed to make the boat float by installing two industrial strength pumps, and they could not be turned off for more than a minute, or the boat would sink. The life expectancy in the Iceberg Lagoon is around 3 minutes, perhaps 4 if you keep your head above water and your arms close to your body. The notion that everyone was at the mercy of the elements and higher powers was evident from that first day of the shoot.